The tritone paradox: Effects of spectral variables

55Citations
Citations of this article
59Readers
Mendeley users who have this article in their library.

This article is free to access.

Abstract

A paradoxical two-tone pattern is explored, which is heard as ascending when played in one key but as descending when played in a different key. The pattern thus provides a striking counterexample to the principle of invariance under transposition. In addition, the pattern in any one key is heard as ascending by some listeners but as descending by others. This study examines the effects of spectral variables on how the pattern is perceived. © 1987 Psychonomic Society, Inc.

References Powered by Scopus

The psychological representation of musical pitch in a tonal context

295Citations
N/AReaders
Get full text

Color-Naming Defects in Association with Alexia

293Citations
N/AReaders
Get full text

Practically perfect pitch

101Citations
N/AReaders
Get full text

Cited by Powered by Scopus

Cognitive Foundations of Musical Pitch

1170Citations
N/AReaders
Get full text

Control of multistability

691Citations
N/AReaders
Get full text

Expectation in Music: Investigation of Melodic and Harmonic Processes

172Citations
N/AReaders
Get full text

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Cite

CITATION STYLE

APA

Deutsch, D. (1987). The tritone paradox: Effects of spectral variables. Perception & Psychophysics, 41(6), 563–575. https://doi.org/10.3758/BF03210490

Readers over time

‘09‘10‘11‘12‘13‘14‘15‘16‘17‘18‘19‘20‘21‘22‘23036912

Readers' Seniority

Tooltip

PhD / Post grad / Masters / Doc 24

50%

Researcher 16

33%

Professor / Associate Prof. 8

17%

Readers' Discipline

Tooltip

Psychology 17

47%

Arts and Humanities 8

22%

Agricultural and Biological Sciences 6

17%

Neuroscience 5

14%

Article Metrics

Tooltip
Mentions
References: 3

Save time finding and organizing research with Mendeley

Sign up for free
0