Abstract
Like almost all sectors, institutionalized cultural memory is subject to major changes due to digitization. Three areas are of central importance here: digitization of cultural goods as technical digitization in the narrower sense, meaning analog-to-digital conversion of cultural artifacts as a prerequisite to the comprehensive concept of digitization; the creation of digital access to these digitized objects; and the transformation of processes in the management and performance of institutional tasks within the sector.
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CITATION STYLE
Schilz, A., & Rehbein, M. (2022). Digitization of Cultural Heritage. In Handbook Industry 4.0: Law, Technology, Society (pp. 1193–1212). Springer Berlin Heidelberg. https://doi.org/10.1007/978-3-662-64448-5_64
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